Long roap manipulation coat

This coat is interesting because you can even button up your face.

This coat made from waterproof fabric

This coat is reversible and can be worn as a matte coat with wires or as a shiny coat with gatheres.

Naturally, thanks to the large gatheres, there are pockets on the sides, there is no additional detail.

genderless

In this coat you feel completely protected, while it is light.

The two-way lock helps to open from the front for easier movement.

Short roap manipulation dress

This dress is made from two rectangles of fabric that are connected only by a hoop on the belly. About 3 * 1.5 m of fabric was spent there.

There is only one seam on the back for the whole dress.

In this dress you do not feel the clothes on you at all. It feels like you’re completely naked. This is achieved by the fact that the fabric, as it were, “hangs” over the body.

Roap manipulation top and pants - skirt

I always wondered how to combine a skirt and pants. Because women always have a choice between what to wear.

Here I am ready to present you such a product.

It is made up of four rectangles.

The skirt is made of a rectangle in the middle of which there is a slit for a tunnel with an elastic band.

I also put zippers on the sides of this skirt so you can control how revealing you want to look.

Long roap manipulation dress

On the pattern, you can see the tunnels through which the rope goes and keeps this product on the person.

I tried to move away from the usual approach and create something completely new. 

For example, here you can see a sleeveless dress, to some extent a long cape, in place of the armholes there is a zip that can be opened.

This dress took 5 meters of fabric without a trace.

First of all, we don’t throw away anything.

Secondly, if desired, it is possible to change into any other garment.

Soft Sculptures

Inspiration from the sculptures of Mrinalini Mukherjee

Concept:

This collection is inspired by the soft, organic sculptures of Indian sculptor Mrinalini Mukherjee. Her work, made of ropes and fibers, embodies a quiet strength and a sense of gentle monumentality.

In Soft Shapes, I translate this sculptural softness into garments through fluid silhouettes, tactile materials, and rounded forms. Each piece is designed to feel like a soft sculpture — wearable, alive, and emotionally expressive.